Marian
A New Game, Remember This Verse? Just Name The Refrain.
Hi Marian, I am pleased that I got that one correct. My last one was "Man of La Mancha" from "The Impossible Dream"
I have one that I have been meaning to put on for ages, but keep forgetting. I am trying to stump Harry and Lena
I light a candle to our love
in love our problems disappear.
But all in all we soon discover that one and one is all we long to hear
Marian [2]
I have one that I have been meaning to put on for ages, but keep forgetting. I am trying to stump Harry and Lena
I light a candle to our love
in love our problems disappear.
But all in all we soon discover that one and one is all we long to hear
Marian [2]
Mariana
- paul and sue
- Posts: 89
- Joined: Sun Oct 30, 2005 10:07 am
- Location: worthing
- paul and sue
- Posts: 89
- Joined: Sun Oct 30, 2005 10:07 am
- Location: worthing
- paul and sue
- Posts: 89
- Joined: Sun Oct 30, 2005 10:07 am
- Location: worthing
Since there's a break in the action of song guessing, I had a follow-on question for Lena and Harry who correctly guessed my opening verse of Desert Song (back in page 17). You stated you saw this "musical" in London in the 1960s. I thought Desert Song was an operetta. Were operettas (besides G & S) still being performed in London in the 1960s? I don't believe they were still being performed in New York City.
- Lena & Harry Smith
- Posts: 21514
- Joined: Tue Jul 12, 2005 10:05 am
- Location: London UK
Hi Paul, yes we have always recognised "The Desert Song" as an operetta and yet our memorabillia and programme of that production along with three others of John Hanson and at that time have described each of these productions as "Romantic Musicals."
Operettas were indeed scarce in London in the Sixties, in fact the Sixties were't considered the best for musicals either except for Lionel Barts " Oliver " in 1960, "Stop The World I Want To Get Off" in 61, and Lionel Bart's "Blitz" in 62, " Half A Sixpence" in 63 seemed to be popular and a success, but the rest of the year seemed pretty much a disaster with short run musicals and criticism.
Operettas were indeed scarce in London in the Sixties, in fact the Sixties were't considered the best for musicals either except for Lionel Barts " Oliver " in 1960, "Stop The World I Want To Get Off" in 61, and Lionel Bart's "Blitz" in 62, " Half A Sixpence" in 63 seemed to be popular and a success, but the rest of the year seemed pretty much a disaster with short run musicals and criticism.
Thanks for the explanation of Desert Song. I believe the 1960s were fairly quiet on Broadway for musicals also. Probably the most popular were Hello Dolly, Mame, Oliver, She Loves Me, How To Succeed in Business Without Really Trying, Man Of LaMancha, Cabaret, Fiddler On The Roof, and A Funny Thing Happened On The Way To The Forum. (Perhaps they were so quiet after all.
) I guess the 1960s were a transition period from the Rodgers & Hammerstein/Lerner & Lowe/Cole Porter/Jerome Kern musicals to the period of Andrew Lloyd Webber, Stephen Sondheim, and Boublil/Schonberg---with Jerry Herman and Kander & Ebb being the primary composers during the transition period.
Whose turn is it to come up with another one---oh, it's Jon.
Here's one while we are waiting---easy!
I don't care if there's powder on my nose.
I don't care if my hairdo is in place.
I've lost the very meaning of repose.
I never put a mudpack onmy face.
Oh, who'd have thought
that I'd walk in the daze now?
I never go to shows at night,
but just to matinees now.
I see the show
and home I go.
Marian
Here's one while we are waiting---easy!
I don't care if there's powder on my nose.
I don't care if my hairdo is in place.
I've lost the very meaning of repose.
I never put a mudpack onmy face.
Oh, who'd have thought
that I'd walk in the daze now?
I never go to shows at night,
but just to matinees now.
I see the show
and home I go.
Marian
Mariana