One Million CDs Sold
Yes it was 16. These were very rare and normally spoken word as the quality wasn't good enough for music! I have seen nearly every different format that existed at some point but have never ever come across a 16 rpm record!
78 Rpm records were made in the UK until about 1962 (although by this time not very many new releases were made this way) Back in those days Stereo singles were a rarity although Stereo EP's did get released as early as 1957/8. I have never come across a Stereo 78 disc and it's unlikely there ever was one. Although in recent times a few new 78 rpm discs were made. During EMI's 100th anniversary year a limited edition 78 was issued with a 1920's recording of Pomp & C.i.r.c.umstance by Edward Elgar (with him conducting) on one side and Robbie Williams singing Millennium on the other! I guess that side was in stereo!
Richard
PS C.i.r.c.umstance spelt this way as forum thinks this is a rude word!!
78 Rpm records were made in the UK until about 1962 (although by this time not very many new releases were made this way) Back in those days Stereo singles were a rarity although Stereo EP's did get released as early as 1957/8. I have never come across a Stereo 78 disc and it's unlikely there ever was one. Although in recent times a few new 78 rpm discs were made. During EMI's 100th anniversary year a limited edition 78 was issued with a 1920's recording of Pomp & C.i.r.c.umstance by Edward Elgar (with him conducting) on one side and Robbie Williams singing Millennium on the other! I guess that side was in stereo!
Richard
PS C.i.r.c.umstance spelt this way as forum thinks this is a rude word!!
For anyone that's really interested, there's a whole lot of information if you look up "Gramophone Record" on Wikipedia, with a whole section on the various speeds.
It does say that turntables which included 16 speed, were still available until the late 70s, which surprised me.
As Richard mentioned, it says that 16 recordings were mainly produced for the visually impaired, or for radio transcription discs, and were never widely commercially available.
Marian
It does say that turntables which included 16 speed, were still available until the late 70s, which surprised me.

As Richard mentioned, it says that 16 recordings were mainly produced for the visually impaired, or for radio transcription discs, and were never widely commercially available.
Marian

Though my parents had vinyl at home in yesteryear I never personally owned any as I am of the tapes and Walkmans generation. I've still got a lot of old cassette recordings but they deteriorate over time and become muffled, so I don't really listen to them. Funny thing is, on the train the other day I saw someone listening on his earphones to a cassette tape of the Seekers, which was perched on his lap.
- Lena & Harry Smith
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Well, we have Two wind up gramophones and now and again they come out at gatherings here,
We have reel to reel tapes. We have cassettes. Miles of Vinyl.
It's a family thing.
My Brother in Law is researcher for the City Of London Phonograph And Gramophone Society.
He has published books and discographies on labels, he gives lectures at their regular meetings, and shows slides of conservation of historical recordings.
He has a phonograph and he plays us the cylinders.
The Society was originally The London Edison Society
We did manage to drag him out for my Birthday lunch yesterday although it was their meeting last night.


It's a family thing.

He has published books and discographies on labels, he gives lectures at their regular meetings, and shows slides of conservation of historical recordings.
He has a phonograph and he plays us the cylinders.


The Society was originally The London Edison Society
We did manage to drag him out for my Birthday lunch yesterday although it was their meeting last night.


Oh Wow, Lena, that's fantastic!
Please expand a little on what he does...is it the actual medium that fascinates him i.e. vinyl, tape etc or is it the recordings?
Does he look for recordings by a particular artist?
Or it the first pressing of a song?
For example Cliff Richard: Move It.
What would make that recortding special to him - Cliff Richard or getting hold of the first 50 pressings?
Am I even on the right track?!
Gray
Please expand a little on what he does...is it the actual medium that fascinates him i.e. vinyl, tape etc or is it the recordings?
Does he look for recordings by a particular artist?
Or it the first pressing of a song?
For example Cliff Richard: Move It.
What would make that recortding special to him - Cliff Richard or getting hold of the first 50 pressings?
Am I even on the right track?!


Gray